An airplane encounters severe turbulence midflight and lands safely. When the passengers disembark, they’re astonished to discover that five years have passed. This intriguing scenario is the premise of the new NBC drama “Manifest,” but it’s only one element in a series that creator, executive producer and showrunner Jeff Rake likens to “Lost” meets “This Is Us.”
“It’s a serialized event mystery but also a grounded relationship drama,” Rake told the Journal. “I think people will see elements of both in ‘Manifest.’”
Rake came up with the idea 10 years ago while on a family road trip. “I thought, ‘What if a family was traveling in two separate planes and one of them disappeared?’ I pitched it around town. Nobody bought it,” he said. Six years later, Malaysia Airlines Flight 370 vanished, “and my idea didn’t seem so outrageous after all.” When his series “The Mysteries of Laura” was canceled, he re-pitched the idea.
Although the pilot centers on passengers Michaela (Melissa Roxburgh) and her brother Ben (Josh Dallas), “almost every episode presents a window into the life of a passenger we may not have met before,” Rake said. “I wouldn’t be surprised if we meet some Jewish characters along the way.”
Michaela and Ben also represent opposite sides in an age-old debate: faith vs. science. “She believes that faith explains the mystery of the disappearance and return and the inexplicable things that are happening to them,” including the voices they hear compelling them to act, Rake said.
“Ben, on the other hand, is a mathematician, a man of science and is convinced that there must be an earthbound explanation for everything. In a very organized fashion, he starts breaking down who is and isn’t experiencing these callings, how they’re experiencing them and if there are similarities and differences. It’s one of the puzzles of the show but that question will be answered.”
Rake pointed out that although Michaela’s spiritual reference is the New Testament, “we’ll discover other people from other cultures and different faiths have their own explanations of what is happening to the passengers of this flight. Everyone in the series asks themselves the same question: how and why did this happen? We are not presenting one religious point of view, but offering the idea of faith in the most universal sense. It’s my intention that any person of faith has a way into this conversation,” he said.
“As a Jewish writer, I’m inspired by Jewish themes of redemption, second chances and tikkun olam,” he continued “We come to discover that the characters are flawed human beings who’ve been given a second chance, an opportunity to redeem themselves.”
Rake grew up in a traditional Jewish home in Los Angeles and hit the typical Jewish milestones: bar mitzvah, United Synagogue Youth, Camp Hess Kramer as a camper and counselor. He and his wife, Paulette Light, are founding members of IKAR, where her brother David’s wife, Sharon Brous, is the rabbi. Their four kids go to Camp Ramah, and the youngest will celebrate his bar mitzvah in February. “Judaism is a very important part of my life,” he said.
Involved in speech and debate and drama in high school, Rake put creative interests aside to go to law school. Working for a law firm, he realized he’d made a mistake. He’d written a hip-hop musical about Elvis Presley and took a leave of absence from his job to mount the play at a theater in Hollywood. Soon after, “I quit my job and figured out how to write screenplays.”
He currently has a pilot in development with Warner Bros. for a Freeform show about a female assassin. “I’d love to get back to the theater some day,” he said. “I have a musical that I’d love to get off the ground. But right now it’s all ‘Manifest,’ all the time.”
Intricately plotted, high-concept shows are often hard to sustain and viewers are wary about getting attached to them. Rake acknowledged that fact but believes that “what ‘Manifest’ has going for it is it’s a triple hybrid: A combination of serialized event mystery, grounded relationship drama and procedural because there are closed-ended elements in most episodes that I think the audience will find satisfying as we inch along the mythology,” he said.
“Because we give a lot of real estate to emotional drama and procedure, it allows me to not have to burn through mythology so quickly. I think the serialized mysteries that haven’t worked petered out because they were so reliant on mythology that they had to burn through a lot of story very fast. That’s one pitfall we’ll be able to avoid.”
While the central mystery of the plane’s disappearance and return won’t be answered right away, “you have to turn cards over throughout the course of the series in order to make the audience feel rewarded,” he said. “A big card will be turned over in episode 13.”
The initial order is for 13 episodes, with the option for nine more. “There will be goal posts along the way where we’ll make major revelations, but in every episode, there will be kernels of information,” Rake promised. “Putting aside the seemingly supernatural elements, I think the emotional drama is very compelling and reason enough to watch, but with the mystery, the procedure and the mythology, there’s something for everyone in this show,” he said. “I hope people will give it a watch and decide for themselves.”
“Manifest” premieres at 10 p.m. Sept. 24 on NBC.
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